Very fun to sing, this optimistic piece is characterized by catchy, singable melodies and a syncopated rhythmic drive in the vocal and piano writing. The text celebrates the lifelong relationships created
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The ebb and flow of the sea is painted beautifully in this evocative original setting of Sara Teasdale's poem. It opens with a calm and meditative section that gradually adds harmonic layers before opening
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Highly suitable for treble choirs of all abilities, this concert arrangement of the Kansas state song is simply majestic. A pulsating accompaniment adds forward motion to this sparkling homophonic
Grandiose and exciting, this festive piece has rhythmic energy in the vocal lines coupled with an active yet supportive piano accompaniment. With a variety of accessible voicings, this piece is fitting for
Students will reinforce their sense of rhythm and meter changes in this engaging, celebratory, highly enjoyable piece. With or without the optional percussion, this festive number is the perfect closer for
This gospel-style original draws inspiration from the work of the late Martin Luther King Jr. and others like him who worked to break down the barriers of racial discrimination and social injustice. A
"What will I do with the portion given to me? I will sing." This fantastic work, written in a gospel style with an ecumenical text that challenges each of us to make the most of the lives we've been given,
This moving, traditional Irish blessing is set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text and weaves a memorable melody which he clothes in
Translated as "Let's Rejoice Today," this celebratory original work combines a short Latin and English text with a simple mixed meter setting that is a wonderful way to open a concert or service at any time
Inspiring and uplifting! This setting of John Magee Jr.'s text works as a closer, festival piece, or for graduations. With accessible ranges and a buoyant piano accompaniment, developing mixed and treble
Based on primary source material, this dynamic arrangement of the traditional spiritual brings great gospel flavor in the chosen harmonies and excellent piano accompaniment. Upbeat and powerful, you can add
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This lovely work for treble voices and piano is a lyric, fluid rendering of the familiar text from the Book of Hours (1541). Elegantly simple, it offers the opportunity for young choirs to explore tone,
Jubilation fills the air in this superb a cappella concert work for treble voices. Exciting melodic motives are passed from section to section, and skillful vocal writing aids in introducing independent
Based on the poem Dreams by Paul Laurence Dunbar, one of the first African American poets to gain national prominence and recognition, this inspiring gospel-style concert work sings of the strength
A big, bold piano introduction sets the stage for this powerful and inspirational song. "Let the harmonies of freedom ring" is a message for this time and all times. The gospel feel of this original song
William Henry Davies' text is given a driving, rhythmic setting that encourages singer and listener alike to "sing out!" their songs of joy. The contrasting middle section is undergirded with rhythmic
Skip the droll opening announcement about cell phones and sing this instead! Based on Pachelbel's Canon - which, face it, everyone loves - this piece will make a lovely concert opener that also serves a
This traditional South African song celebrates life and the paradise that is to come. An upbeat a cappella texture is punctuated with the rhythmic text and singable melody in a dynamic world music selection
Siegfried Sassoon's text depicts the unbridled joy at the end of the First World War mixed with bittersweet sorrow. The final phrase, "the singing will never be done" hints at the irony of this joy amid
This lovely original song has the feel of an Irish ballad. It opens with a solo voice and continues to add layers until it achieves its four-part texture. Performed a cappella or with an optional guitar
A gorgeous setting of the well-known English prayer text. Available in a variety of voicings, this blessing is a wonderful way to conclude a service or performance.
This tremendously fun arrangement of a South African greeting song exclaims, "Iyo hlonolofatsa, Ka lebitso la ntate," which translates as, "Bless everything in the name of the Father." Featuring a soloist,
Beginning simply with soprano 1 in unison, this setting of the traditional text builds to a gorgeous full four-part contrapuntal Amen. The text then repeats, this time homophonically in four parts, with a
Walt Whitman's Song of the Open Road is the basis for this expansive and melodic original composition that is perfectly suited to the young chorus. Limited range melodies and chordal harmonies soar